Thank you, Admin!  Amelia, we are writers that have problems and have solved problems in the past.  If you need a "constant-ish" flow of the sort of help you need, ask your problem and most likely, one of us will answer it.  I think we should have a sort of "this requires your immediate attention signal" so then questions for writing with due dates aren't left hanging.

is our signal for Qs requiring immediate attention.  You click on the smiley face and the subtitle is "sealed"*

If you can't get to a computer, just write!  When you go back over your writing and hopefully have a computer, you can post problems.

*I know this has nothing to do with the meaning, but it looks the closest to "I'm in a really big rush and need to know this ASAP!

Actually, there is a really good thing that I use (it helped me stumble through Mechas&Masquerades - and I referenced it earlier on this thread) on FictionPress.

It's called "How to Successfully Complete a Successful Story" so you can google it just in case Admins don't like the link (I will warn you in advance, there is occasionally some unfortunate language).

I think it should help quite a bit. It addresses most of the questions on this thread.

--L

Euripides is dead. That could present a Problem.

Maybe he shows someone about the machine, him/her doesn't believe it, but since it means so much to him him/her finds the blue prints for him,and looking at it he creates a reverse super power machin ethat helps him. 

I am stuck at this part in my book that i'm writing, basically one girl has a curse, the other has a blessing, the girl with a curse knows she has one, the girl blessing doesn't, and she needs to find out about it early, it's important to the plot,but I can't figure it out,how she should find out. In formation on how she got the blessing,a fairy in disguise came in their house and did it when she was a tiny baby. The blessing was everyone would like her,but she is extremely mean. 

Hm... interesting but I don't even know where you were intending to go with it, really. Maybe the main guy could die when he finally gets his full powers. I'm not totally sure what that would prove, but...

((BAH HAHAHAHAHAA Admin I love you.))

-Be open to the possibility of character death. Depending upon what exactly the machine did to him, if he's been pumped full of too much energy, death from a kind of burnout is a possibility that's plausible enough to not be a Deus ex Machina. Of course, if your story is light or comic, you might not want to go this route, although abrupt, unexpected Mood Whiplash at the end of a comic story can be really effective if you play it right. My instinct would be with this option, but that's obviously more a matter of personal taste.

-The full story could leak out, whether because Aster decides to tell people or because of some determined detective/reporter/miscellaneous other discovering evidence. From there, you could end it hopefully—with Aster finding or being given information about people who can help him somehow—or tragically—with Aster being imprisoned to prevent him from being a danger to himself and other people—depending on where you want the story to fall on the Sliding Scale of Idealism vs. Cynicism.

If you don't like either of the above suggestions, try asking yourself some questions about the story first: 

What, exactly, is the major conflict of the story? Is it the powers, or the press coverage, or something else? What does Aster want? What is Aster willing to do to get what he wants? What do the other characters want and what are they willing to do to get it? What do the other characters want from Aster? What does Aster want from the other characters? What is the best possible outcome of the situation? What's the worst? What is the most logical result of the sequence of events so far? How will that be influenced by what the characters want? And so on.

The simple act of asking yourself specific questions like these will get you thinking about different options. I know how hard it is to force writing, which can make writing to a deadline very difficult. Part of that trouble comes from trying too hard; you become so emotionally invested in succeeding (regardless of your actual feelings towards the story) that you self-sabotage.* The harder you try to force yourself to come up with an ending, the more difficult the wall will be to break through. The solution is to take a step back, allow yourself a little room to breath, and start thinking in the opposite direction: from what you have, to what you don't have, instead of trying to come up with what you don't have and then connect it back to what you do. (Think of your mind like a doorway with a door that only swings outward. In trying to force yourself through to the ending, you miss the "pull" sign entirely and end up pushing harder and harder against a door that is never going to give. In stepping away and questioning instead of just trying to push through, you can pull the door open and arrive at the end naturally.)

Put another way, the ending should be a logical consequence of everything that has happened in the story so far (this is why Deus ex Machinas are often looked down upon; they come from nowhere and have no apparent cause). If you try to come up with an ending without following the thread of the story to do it, you will fail.

Which is not to say that there is only one possible ending; there are a lot of possible endings, and you should keep asking questions about the story and questions about your answers and the ideas resulting from those answers until you think of something that you think is perfect.

Also, don't hit your head on a bucket. That never works, and it's really hard to write coherently if you have a concussion.

*I just had a moment of "now why does this sound so familiar?" and then realized that I'm paraphrasing one of my theatre professors at you. What can I say, writing and acting have very similar methodology. For me, at least.