*ahem* Honestly, if there were other life forms, don't ya think they could have found some sign of them by now??

This is a miricle that is to amzing to be anything but divine intervention. I have another great one if you want. I'm too lazy to type out the story of Our Lady of Guadalupe, google it. And then read this. By the way Bella, Mary is the mother of God. (You wanted Science, here it is! :) )

On November 24, 1921, during a period of government persecution, a powerful bomb hidden in flowers exploded directly underneath the tilma during High Mass, and destroyed stone and marble in the sanctuary and shattered the stained-glass windows of the Basilica. When the smoke cleared, the congregation was amazed to find that the tilma remained untouched, and the thin protective glass covering was not even cracked, nor was anyone hurt. Scientific studies of the tilma have been undertaken through the years, which have only served to confirm its supernatural nature. The tilma remains just as vibrant as ever, having never faded. Famous Mexican artists such as Miguel Cabrera (1695-1768) determined that it is impossible for the rough surface of the tilma to support any form of painting. One of the unusual characteristics of the tilma is that up close the features are unremarkable, but the tone and depth emerge beyond six or seven feet and the image becomes more radiant and photogenic. The astonishing discovery that reflections of people in Mary's eyes, perhaps Juan Diego and Bishop Zumarraga or the interpreter Juan Gonzalez, were confirmed by two scientists in 1956. This phenomenon is seen only with human eyes, not in a painting. Studies by infra-red photography in May of 1979 were undertaken by Philip C. Callahan, a research biophysicist at the University of Florida. He ruled out brush strokes, overpainting, varnish, sizing, or even preliminary drawings by an artist in the body of the image. Damage from the 1629 flood was apparent at the edges of the tilma. He concluded that the original image on the tilma has qualities of color and uses the weave of the cloth in such a way that the image could not be the work of human hands.